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'Eventually the AI will disappear': MC&V says AI is becoming just another production tool

Two years ago, 'AI artist' wasn't a job title in Australia. Now its founders say the term 'AI' is on the way out.

By Natasha LeePublished Aug 5, 2026
5 min read
Vinne Schifferstein Vidal, Marie-Céline Merret Wirström
Vinne Schifferstein Vidal, Marie-Céline Merret WirströmImage: Supplied

Two years ago, the phrase "AI artist" barely existed in Australia. Now the founders behind what they say was the country's first dedicated AI artist roster believe the industry is already moving beyond the label.

Marie-Céline Merret Wirström and Vinne Schifferstein Vidal launched Australia's first dedicated roster of AI artists on 6 August 2024. That collective has since evolved into MC&V, the AI-native production company the pair launched six months ago.

Rather than celebrating the milestone with a victory lap, Schifferstein Vidal reflects on a year shaped by both personal loss and rapid business growth.

"This is the second anniversary of the AI roster. We launched MC&V in February, and in March both MC's mum and my dad passed away," she told Mediaweek.

"So, personally, we went through a roller coaster. Lowest point in our personal lives, but at the same time, the business was just going off. So, it's been a wild five months."

Despite those challenges, Merret Wirström said the business has reached a defining moment.

"I think it just feels like it's truly kicked into a level where everyone's sort of thinking about Gen AI, and it's more top of mind now," she told Mediaweek.

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Two years ago, the pair found themselves explaining what an AI artist was and why the role mattered. Today, she says, specialist AI production has become a recognised part of creative conversations.

"But we were literally the first to know that this was going to happen, I think, in the market," Merret Wirström said.

"Besides all the personal stuff that happened, I think it's the highest of the high of all my career in my whole life."

From prompting to production

Before launching MC&V, the pair had already established themselves in AI-enabled production.

After helping establish Monks in Australia and New Zealand, they reunited at Clemenger to create MADE THIS, one of Australia's earliest dedicated AI production offerings. Over the past two years, they have worked on campaigns for brands including Adidas, KFC, Afterpay, Samsung, Uniqlo and Schweppes.

That experience has convinced them there is a significant difference between experimenting with AI and delivering commercial work at scale.

"The more people who jump on board and believe in it, the bigger the market becomes," Schifferstein Vidal said.

"What we mostly see is that there are quite a few people who say they can do it without actually having done it. And because we jumped on board very early, we've got so many different types of productions under our belt now."

She said MC&V is regularly called in to rescue AI projects that have stalled after agencies or suppliers overpromised.

"They knock on our door and say, can you help fix this? Just under the hood, please don't mention that you've done this, but it needs fixing," she said.

"So that happens a lot. There's a lot of talk out there, but the actual work still doesn't happen for everyone. And that's also what you see if you look at people talking about it; if you look at the actual work, there's not much behind it."

The myth of the generalist

A core principle of MC&V's approach is that creative specialists, not AI generalists, will define the next phase of the industry.

"Just because we have access to the tools, that doesn't mean you should do it, and it also doesn't mean you can do it and achieve what you're trying to do," Merret Wirström said.

"An AI artist can almost be compared with a VFX artist, like someone who has been on those kinds of tools in the craft for 10 to 15 years. But I don't think people understand that. This sense of generalists is still there. We actually work with specialists. That hasn't sunk in yet."

Schifferstein Vidal said AI production has quickly evolved from individuals working alone to multidisciplinary specialist teams.

"I think that's what we've seen in the last two years: the tools have become better, but also the people using them have become much better," she said.

"We're moving away from that one person in the corner in an agency doing everything, to actual teams of AI artists working on a production and building on their strengths. I think we've come a long way in only two years."

What gets a CMO to the table

According to Schifferstein Vidal, cost savings may open the conversation about AI, but creative opportunity is what sustains it.

"That is the starting point," she said.

"I think the conversations that we're having are opening up that mindset of the client, but also creatives or account directors on the agency side, that this is about more than cost savings. This is about creating work that you couldn't have made beforehand."

She said clients often shift their thinking once they see ideas that had previously been impossible to produce.

"The moment you start showing them those possibilities, you see the minds open and go, actually, we've got this brief in the drawer that we could not make before. Can we just try this now? Because you start a conversation from that angle, people understand that you actually need specialists."

Merret Wirström believes many organisations make the mistake of using AI only to replicate existing workflows more cheaply.

"I think that the worst thing that they're doing is trying to replicate what they're already doing with AI, just cheaper," she said.

“We've seen a lot of studies on that. Whereas when you think through the lens of AI from the ground up, you actually gain a lot more value out of that as opposed to trying to take the one thing and take the other thing and now let's go make it more efficient.”

Not a platform play

Unlike many agency groups investing in proprietary AI technology, MC&V has deliberately focused on production systems, specialist talent and creative judgement rather than building its own platform.

Before officially launching, the company had already worked alongside agencies including Apparent, Block, Emotive and Springboards on AI-enabled productions.

The founders also established the AARON Awards, which recognise excellence in AI-driven advertising craft and connect specialist AI creatives globally.

They say early fears that AI would replace creative jobs have given way to growing demand for specialist practitioners who understand how to apply the technology effectively.

The word that disappears

Looking ahead, both founders believe AI will increasingly become an invisible part of production rather than a category of its own.

"I think one thing that we see very clearly is that it's less about either full AI or a traditional production. It's becoming much more hybrid," Schifferstein Vidal said.

And eventually, she believes, even the terminology will fade away.

"Eventually, I think the whole word AI will disappear," she said.

“It's just production, and AI is just like VFX or CGI.”

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