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IMAA unveils key initiatives and events for the sector and its member agencies in 2024
The IMAA will also host a delegation of senior media partners and members to the Northern Territory in May.
by Mediaweek Admin – Jan 18, 2024
Summer TV Ratings, January 17, 2024: Aussie underdogs nearly pull off upset against 2023 Australian Open finalists
Leah and Justin struggle on Home and Away
by Anita Anabel – Jan 18, 2024
Alibaba, Alphabet and Meta forecast to attract 51.9% of global ad spend in 2024, WARC reports
Global advertising spending is expected to top $1 trillion for the first time.
by Mediaweek Admin – Jan 18, 2024
Idol v Survivor v MAFS: TV Networks ready to battle with major tentpole launches
“Get it right, and the halo effect can be immensely powerful."
by Tess Connery – Jan 18, 2024
DoubleVerify expands brand safety and suitability on Facebook and Instagram
The release allows global advertisers to authenticate campaign quality and protect brand equity in user-generated media environments.
by Mediaweek Admin – Jan 18, 2024
Takeover bid: ARN allowed to keep 14.8% holding in SCA
ARN was originally ordered by the Takeovers Panel to sell down 6.83% of the shares.
by Mediaweek Admin – Jan 18, 2024
Roundup: Elon Musk's X, ABC rejects claims of pressure to sack Lattouf, Disney
New WA studios, New CNN boss, Boy Swallows Universe, The Emmys viewership, World Surf League
by Mediaweek Admin – Jan 18, 2024
Screen producers globally want streaming platform regulation to protect local stories
SPA’s Matthew Deaner: ‘Producers unable to do business deals on fair terms with powerful digital platforms’
by James Manning – Jan 18, 2024
Stan Original Series Prosper explores the depths of Christianity without ridicule
Richard Roxburgh: "This family, they all believe absolutely"
by Anita Anabel – Jan 17, 2024
First Look: Stan Original Series The Tattooist of Auschwitz
The Tattooist of Auschwitz is produced by Synchronicity Films in association with Sky Studios.
by Mediaweek Admin – Jan 17, 2024
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