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2026 is officially the year media stopped making sense (And why that's good news for indie agencies)
Diane Markovski argues that the chaos of 2026 is exactly why indie agencies now have an edge over big networks.

By Diane Markovski, Founder, LIT Agency
I've been doing this for 23 years. I've watched media buying go from print run sheets to programmatic dashboards to whatever we're calling this current mess.
And I'll say the thing most agencies won't - nobody actually has 2026 figured out yet. Anyone telling you they do is selling you something.
Here's what's happening on the ground:
AI Didn't Replace Media Buyers. It Replaced Bad Ones. Every network deck in 2026 opens with an AI slide. Automated bidding, predictive audiences, generative creative testing at scale. All real. All useful. None of it is a strategy.
What AI did was expose who was coasting. The buyers who were just executing and setting budgets, picking placements, and reading reports back to clients got automated.
The ones who understood why a campaign worked, who could read a market shift before the data caught up, who knew which numbers were vanity and which were signal- they got more valuable, not less.
That's the split brands need to understand: AI compresses execution time and expands the value of judgement. If your agency's pitch is "we use AI," that's not a differentiator anymore, like having a phone.

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Indie agencies have an advantage here nobody's saying out loud: we don't have layers of account management protecting inefficiency (we are just too small). When the tools got smarter, the small teams adapted in a sprint. Targeted online buying got truly powerful.
Retail media networks, CTV addressability, first-party data clean rooms - this is where 2026 budgets are moving to and for good reason. You can now buy media against real purchase behaviour instead of guessed demographics. That's not a trend; that's just better targeting than we had a decade or two ago.
But here's the trap: this precision doesn't equal performance. I've seen brands fall in love with the idea of hyper-targeting and forget that a beautifully targeted ad for a mediocre offer still sells nothing. The dashboards make you feel like you're doing sophisticated marketing. Sometimes you're just watching sophisticated numbers move in the wrong direction.
The brands winning in this environment are the ones still asking the boring question first: what's the offer, who's it actually for, why would they care. Then they layer the targeting on top. Reverse that order, and all you've built is an expensive way to fail precisely.
Influencer spend used to be a line item under "content" or "brand awareness"; it was a nice-to-have bolted onto the media plan. In 2026, for a huge chunk of categories, it is the media plan, or close to it. Creators have become a distribution currency, tradeable, measurable, negotiable and not a soft add-on.
That's a real shift, and brands need to treat it like the financial decision it now is, not a vibe-based one. If you're spending like it's currency, you need to underwrite it like currency: what's the actual exchange rate between spend and attention, attention and trust, trust and sale? Most brands still can't answer that chain with a straight face.
The uncomfortable truth for a lot of marketers is that an audience built entirely on borrowed trust from someone else's following is still a rental. You don't own it. The creator's algorithm relationship, their platform risk, their personal brand risk. That's all now sitting inside your media plan whether you priced it in or not.
Indie agencies who have resisted treating influencer spend as a magic bullet and who keep asking "what happens to this campaign if this one person has a bad month" are the ones building media plans that survive contact with reality.
Choosing an agency in 2026
You don't need an agency with the biggest AI deck. You need one that can tell you, honestly, where the leverage actually is for your category, your budget, your audience and where it's marketing theatre dressed up as innovation.
23 years in, the tools have changed completely. The job hasn't. Know your audience better than they know themselves. Spend money like it's yours. Say no to the shiny thing when the boring thing is what's going to work.
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