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ARN Upfronts 2027: Agencies deliver their verdict

Media buyers weigh ARN’s push into video, sport, data and travel, and what a new offering could mean for brands in 2027.

By Staff WriterPublished Nov 11, 2026
8 min read
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ARN took its 2027 Upfronts to Sydney’s Hordern Pavilion, a venue where generations of pop-punk kids went to sweat through their favourite band’s set. This time, the pitch was for media budgets.

There was plenty for buyers to take in. Sport, travel, live music, podcasts, data and AI all had a place on the bill. The test is whether agencies see a more compelling proposition - and enough evidence to put it in a media plan.

With the presentations over, Mediaweek asked agency leaders for their verdict: what landed, what needs more explaining and what could shift their clients’ spending in 2027.

Jess Torstensson 7

Jess Torstensson, General Manager, Growth, Bench Media

The ARN upfronts were a strong showcase of a business thinking well beyond its traditional radio foundations.

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No single announcement completely stole the show, but the collective direction stood out. ARN is clearly building towards a much broader entertainment and content ecosystem, connecting radio, podcasts, video, streaming, live experiences, data and now even travel.

For advertisers, that’s an interesting proposition. Audiences don’t consume media in silos, and the opportunity to connect with them across different formats and environments is becoming increasingly important.

The expansion of iHeart into video, including free-to-air TV, YouTube and Fetch, reflects that shift. Audio remains powerful, but the way people discover and consume content is changing, and ARN is clearly looking to capture more of that behaviour.

Carrie Bickmore joining KIIS Drive is a significant talent announcement and will undoubtedly bring attention to the network. But some of the less obvious announcements caught my attention too.

The ARN Traffic Network is a particularly interesting example of how media businesses can use technology to create new inventory and utility for advertisers. Similarly, KIIS Travel demonstrates an ambition to build commercial opportunities around audience relationships that extend beyond traditional media. These are perhaps smaller announcements, but they show how ARN is thinking about its audiences and commercial opportunities in different ways.

Spotty was another interesting announcement, particularly its promise of real-time visibility into competitor activity, category trends and share of voice. That kind of intelligence can be genuinely useful for media buyers. I’d like to understand more about how the platform will work in practice and how accessible the data will be. While it’s smart for ARN to develop its own tools to differentiate its offering, the broader opportunity for agencies lies in having consistent visibility across the entire audio market to support planning and investment decisions.

The data announcements more broadly are worth watching. iHeart Nation, with its first-party audience segmentation, and the extension of sales uplift reporting into linear radio point to a stronger focus on audience intelligence and accountability.

One area where I’d like to see more detail is the numbers behind the ambition. There were some impressive headline figures shared, but relatively little detail on audience duplication, incremental reach and the commercial impact of bringing these platforms together. For media buyers, the opportunity is exciting, but ultimately we need the evidence to understand how these investments translate into better outcomes for advertisers.

From a media planning perspective, the opportunity is exciting, but the real value won’t simply come from having more channels available through one network. It will come from how effectively those channels work together.

Media owners are naturally focused on building their own ecosystems, but advertisers and agencies need to see the bigger picture. Questions remain around incremental reach, audience overlap, transparency and, ultimately, measurable business outcomes.

ARN has laid out an ambitious vision. The next step is turning that breadth of capability into genuinely connected solutions that deliver value for brands, rather than simply giving them more places to spend. That’s where the real opportunity lies.

Jay Malig Atomic 212 1

Jay Malig, National Trading Lead, Atomic 212°

Spotty, ARN’s new analytics platform, gives advertisers real-time campaign and category insights to answer key audio strategy questions: Who’s active in my category? Where are competitors spending? What messages are they putting out? What’s my share of voice? It means less time piecing together fragmented, outdated or inaccurate data and more time turning insights into action.

Bringing video advertising to iHeart reflects the broader shift towards more affordable video content and growing video consumption. ARN is seeing the benefits firsthand: where podcasts are available in both audio and video, more than 40% of consumption is now video, with total audiences up by more than 10%.

Taking its successful content onto more video platforms is a smart way to broaden ARN’s reach. Australian True Crime is moving to Network 10 and streaming, KIIS breakfast shows are expanding onto free-to-air TV and YouTube, and iHeart is launching on Fetch TV in 2027. That means advertisers could soon be working with ARN across much more than radio and podcast audio. The offering can now include host reads, native integrations, standard audio and video inventory, and cross-platform content.

The new traffic network feels like a pretty natural next step from the current format. It uses live traffic and event data from connected vehicles, along with AI, to pull everything together and create and voice traffic bulletins tailored to each of ARN’s 33 metro and regional markets and their local road conditions. For advertisers, that means they can go as targeted or as broad as they like, with really current, station-specific bulletins. The important part, however, is keeping human oversight in place, with fact-checking and final approval before anything goes to air.

With Australian Open audiences and attendance continuing to grow, ARN’s five-year partnership with one of the country’s biggest sporting events creates a strong programming platform and gives advertisers a new way to reach its broad audience. Brands can extend their presence across radio, talent integrations, podcasts and video, social content and activations at Melbourne Park.

Amy Dascanio Mangaing Director Enigma Media 1

Amy Dascanio, Managing Director, Enigma Media

There was something delightfully refreshing about ARN’s Upfronts this year. With plenty of anticipation surrounding the announcements, ARN delivered a vision that felt less about big promises and more about something we sometimes overlook in media: genuine human connection.

Under the theme The Start of a New Era, ARN outlined its ambition to move beyond radio into a multiplatform entertainment business, bringing together audio, video, social and real-life experiences.

There was certainly no shortage of announcements, from new breakfast and drive shows to its five-year Australian Open partnership and the continued expansion of iHeartRadio. But for me, the most interesting part wasn’t necessarily the scale of these announcements. Only time will tell whether they’re enough to drive ratings and audience share, which remain important currencies for advertisers.

What stood out was ARN’s focus on community and creating opportunities for audiences to genuinely participate. Initiatives like KIIS & Catch Up and Save Our Club felt different, grounded in real-life experiences, local communities and moments that bring people together. In an Upfronts season filled with big technology promises, ARN’s approach felt more human, more grounded, and genuinely focused on its audiences.

I also appreciated the nod to regional Australia and the recognition that every market is different. In an industry often obsessed with national scale, it’s a good reminder that local relevance and connection still matter. This thinking also showed up in ARN’s approach to KIIS breakfast, with distinct local shows for Sydney and Melbourne rather than a single national offering.

Of course, data, technology and the expansion of ARN’s digital ecosystem will play an important role. The challenge now is demonstrating how these touchpoints work together to deliver incremental reach and measurable value for advertisers. But what I appreciated most was that ARN led with people and genuine connection, rather than another technology promise or a claim to the biggest share of audience attention.

Dan Hojnik (1)

Dan Hojnik, Head of Strategy and Planning, Involved Media

ARN made a convincing case for a new era. 2027 will be when it needs to prove it. Next year is a real opportunity for ARN to win back share, particularly while others are focused elsewhere.

A sea of purple, a big-stage feel and a room that felt exclusive despite most of the industry turning out. A new era begins ran through everything: the content, the partnerships, the experiences.

It’s been a tough 12 months, and you could feel some nervousness in the room. But ARN is now in the second year of its repositioning as an entertainment company with roots in radio and an increasing digital footprint that reaches 16 million Australians every month and has some 5 million signed-in users.

There is new breakfast talent with the hunger, and seasoned talent to back them. That feels like a winning combination.

The new KIIS breakfast teams in Sydney and Melbourne were clearly motivated and ready to plant their flag on breakfast radio’s mountain, albeit with a bit of nervous energy.

The confidence came from the tried-and-tested talent across the network, there to mentor and support. That’s how you deliver success for the next generation of KIIS talent.

Audio’s superpower has always been theatre of the mind. Video should amplify it, not replace it, and it was exciting to see some of the announcements.

Video ads across iHeart podcasts, KIIS breakfast on free-to-air TV and YouTube, iHeart on Fetch TV and Australian True Crime moving from podcast to 10 show how far ARN is pushing audio and video together. This helps underpin that entertainment company messaging.

ARN says video is growing its podcast audiences rather than replacing listening. That’s the right answer. The test is keeping it that way as video scales.

I’ve long believed the current measurement system for audio needs to continue to evolve, and ARN laid a clear path for what’s next.

Spotty, ARN’s new analytics platform, will give every campaign a real-time dashboard with competitor and category intelligence. The demo looked seamless.

Competitor dashboards are fast becoming table stakes across audio. The real differentiator is proving outcomes, and that’s where extending Westpac DataX sales reporting to linear radio, ARN’s new first-party iHeartNation segments and its agentic data partnership with Databricks matter.

A final observation: it’s getting crowded out there. Four Australian-owned radio/audio networks — Seven Media Group, Nova, Tapt and ARN — are competing with global platforms like Spotify, YouTube and Amazon for the same ears and the same ad dollars.

What wins in a crowded market is cut-through, differentiation and a strong value exchange for the listener. ARN showed it has a plan for all three. Now it needs to execute.

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