Tuesday May 19, 2026
ARN signs Karl Stefanovic and Eddie McGuire
ARN has signed Karl Stefanovic and Eddie McGuire to co-create The Long Weekend, a new weekly news, sport and entertainment format launching on June 19, 2026.
The three-hour program will air live on Fridays from 12pm to 3pm across ARN’s GOLD Network. It will also be available live and on demand on iHeart, across social platforms, and on 9Now and Stan.
ARN said the format will feature discussion on the week’s biggest news, sport and entertainment stories, with guests involved in the moments shaping national conversation.
A multi-platform play for ARN
The Long Weekend will be distributed in Australia across broadcast radio, live radio streaming, podcast, social, free-to-air streaming and subscription streaming.
It will also be available internationally through the iHeart network in New Zealand, Canada, Mexico, the United States and the UK.
The launch forms part of ARN’s broader push to build an entertainment business around audio, video, social content and live experiences for audiences and brands.
ARN will also work with McGuire Media on a new sport-focused iHeart original podcast series for global distribution. Both formats will be produced in partnership with JAM TV, McGuire’s production company.
Michael Stephenson, Chief Executive Officer of ARN, said: “Karl and Eddie are two of the biggest stars in Australian media and they are now at ARN. The Long Weekend is an excellent example of our strategy coming to life, premium audio and video content distributed across every platform, amplified on social and distributed across the globe on the iHeart Network. This is going to be brilliant.”
ARN CEO Michael Stephenson
Kerri Elstub, Chief Content Officer of ARN, said she had known Stefanovic for 20 years, since his first day on Today.
“When big moments happen, there is no one better – he has a unique ability to relate to Australian audiences. Eddie needs no introduction. His influence and broadcasting prowess is legendary. I can’t wait to show you what they can do together,” Elstub said.
Stefanovic and McGuire reunite on radio
McGuire said the partnership had been years in the making.
“This is a wonderful new chapter. Karl and I have been talking about working together for years, and to do it on this scale, nationally on GOLD, internationally on iHeart, on 9Now and Stan and with JAM TV as a production partner is a once in a career opportunity,” he said.
“We’re going to bring our audience along to wherever the big news, sport and entertainment is happening, with great music in between. Karl is one of my closest mates in the industry. Now we get to do this together. Off we go.”
Stefanovic said radio had long been a major influence.
“Since I was born, I’ve been a student of radio and announcers. The intimacy of the medium is powerful. Working with Eddie makes it even more exciting for me. We’ve been friends for a long time,” he said.
“We are both ready to disrupt the status quo and let me tell you, we’ll have plenty of fun along the way. God, don’t we all need that. ARN have given us this opportunity, now watch us go and have a proper crack.”
Stefanovic is best known as the long-time co-host of Nine’s Today, where he has been a regular presence in Australian television for more than two decades.
McGuire has worked across television, radio, sport and production for more than 40 years. His credits include The Footy Show, Who Wants to Be a Millionaire?, and 13 years as co-host of Triple M’s Hot Breakfast.
Top image: Eddie McGuire and Karl Stefanovic
MAFS 'wives' allege rape by 'husbands' during filming
An investigation by BBC’s current affairs program Panorama has revealed two women claim they were raped during the filming of Married at First Sight UK, while a third has alleged a non-consensual sex act.
MAFS is a hugely popular franchise in Australia, with equally successful versions all over the world. It’s promoted as a ‘social experiment’ where two strangers are ‘married’.
Shona Manderson was a ‘wife’ on the 2023 UK season and the only one of the three women who is identified. She told the BBC in their investigation, “I don’t think that because you’re going on reality TV, you deserve in any way for things like this to happen to you.”
View this post on Instagram
MAFS UK rape allegations
Manderson was matched with Bradley Skelly and began their ‘marriage’ smoothly.
She told the BBC that they had agreed to use the withdrawal method of contraception, but that on one occasion he ejaculated inside her without permission.
“I was shocked, I was confused, we said we weren’t doing that,” Manderson said.
Lawyers for the MAFS UK production company, CPL, said its welfare agents spoke to the couple a few days later, where the incident was discussed.
The lawyers also said Skelly told CPL he had been wearing a condom.
CPL and Channel 4 decided to remove the couple from the show soon after. In a statement Skelly denies “any allegations of sexual misconduct.”
About a week after leaving the show, Manderson discovered she was pregnant. “I made the choice to go through with an abortion. It was really hard,” she said.
‘Lizzie’ rape allegations on MAFS UK
The BBC refers to another of the three women women as “Lizzie”. She told them on the condition of anonymity, “He would just explode, he would go into this absolute focused anger,” and that their sex soon turned “violent.”
Claiming her ‘husband’ would bruise her during intercourse, she asked him to stop, but he would continue, she said.
She added, “He said that if I told anybody what had happened, that he would get someone to throw acid at me.” The threat made her too afraid to speak up at the time, and things soon escalated.
“We were in our apartment, on the sofa, and he tried to have sex with me. And I kept saying no, that I didn’t want to do it.
“But he kept saying, ‘You can’t say no, you’re my wife’. And he just did it anyway.
“I just completely froze with fear and I never, ever thought anything could scare me that much.”
Lizzie contacted the welfare team and told them about the violence. They took photos of the bruises, which have been seen by Panorama.
Lawyers for CPL say Lizzie did not tell CPL about her partner having told her that she “can’t say no” to him, and that “the acid-throwing remark had been reported as a passing comment, not a threat.”
View this post on Instagram
‘Chloe’ rape allegations on MAFS UK
‘Chloe’, the third women to make allegations, told the BBC that her ‘husband’ uncovered her whilst she slept, “and grabbed my breasts and grabbed my bum.”
“I was saying no, no, stop, stop that, because I’d been asleep.
“He smirked and climbed on top of me, moved my leg… By that time, I’d really given up and I just didn’t want him to be angry at me when the cameras came.
“I just lay there, and I stared out the window.”
When he noticed her stance, he questioned her consent.
“I said, ‘I told you I didn’t want this,’” she told the BBC, “and he got very angry, and was like, ‘You should’ve screamed and shouted. You should’ve pushed me off’.
“You’re making me feel like a rapist.”
Lawyers for CPL said Chloe told the welfare team of the incident, but did not want them to raise the incident with the the man.
Response from makers of MAFS UK
In the UK, the show is screened on Channel 4, who on Monday said it had removed all episodes from streaming and on social platforms, the BBC reports.
After the BBC published its story, Channel 4 told the them that it had commissioned an external review.
Lawyers for CPL said its welfare system is “gold standard”.
The BBC makes note that “None of the women we have spoken to have reported their allegations to the police.”
“It’s not likely that anything will happen,” Chloe told them during the investigation.
In a statement to the BBC on Monday Channel 4’s chief executive Priya Dogra expressed sympathy to those “who have clearly been distressed after taking part in Married at First Sight“.
Dogra noted that all allegations were disputed, and that CPL “acted quickly, appropriately, sensitively and with wellbeing front and centre.”
Top image: Shona Manderson has alleged she was raped while filming MAFS UK. Image: Instagram
Sam Pang exits Logies host role after three years
The TV WEEK Logie Awards have confirmed to Mediaweek that Sam Pang will not return as host of this year’s ceremony, ending a three-year run as master of ceremonies for Australian television’s night of nights.
The move comes after Pang told The Sydney Morning Herald he had been approached by Seven Network to return for the 2026 awards ceremony on Sunday, August 16, but decided to step away from the role.
“I’ve had three great years, and it was wonderful, but I’m just not going to do it this year,” Pang told the publication.
He continued: “It was very amicable. I’m well aware I may never do it again, and whoever does it, I’m sure will do a great job, but I just thought three was a nice number.”
New host yet to be revealed
Representatives for the Logies confirmed to Mediaweek that this year’s host will be announced at a later date.
Sources close to the event told Mediaweek the replacement remains a closely guarded secret, though it “may be a woman”.
Speculation around Pang’s future at the Logies began circulating earlier this month.
The comedian and television presenter, who also hosts Have You Been Paying Attention? on Network 10, fronted the awards ceremony in 2023, 2024 and 2025.
Broadcasting rights for the Logies will remain with Seven in 2026, continuing the network’s long-running association with the awards show.
Pang’s exit marks the first major on-air change for the ceremony ahead of this year’s event, with attention now turning to who Seven and TV WEEK select to lead the telecast.
Main image: Sam Pang
Omnicom creative chief Javier Campopiano steps down months after IPG takeover
Javier Campopiano, Worldwide Chief Creative Officer for global clients at Omnicom Advertising, is stepping down from his role just months (6 months to be exact) after taking it up following the company’s integration with the Interpublic Group.
Campopiano confirmed the move in a LinkedIn post, saying he will leave the company at the end of the month.
He described the decision as “not an easy decision” but “the right one.”
The company said it has no plans to replace Campopiano’s role, an Omnicom spokesperson told AdWeek.
A short stint at Omnicom
Campopiano joined Omnicom in December as part of the new structure formed after its absorption of IPG.
His role placed him at the creative helm of the restructured advertising business, bringing together talent and capabilities across the combined organisation.
In his post, Campopiano thanked Omnicom Advertising CEO Troy Ruhanen “for the huge opportunity to be at the creative helm of this new enterprise.”
He said the role allowed him to connect with “talented, ambitious and kind people.”
McCann chapter
Before joining Omnicom, Campopiano spent three years at McCann Worldgroup, where he served as Worldwide Chief Creative Officer.
He described the McCann chapter as transformative, both creatively and as a leader.
“Daryl Lee pitched this job to me as a dream one, and it certainly was, on many, many levels,” Campopiano wrote.
He credited McCann’s leadership and teams for producing “an outstanding body of work,” winning global new business and securing major industry awards.
While he said he is “rarely fully satisfied,” Campopiano added that he feels “quite happy – and proud” of what was achieved, saying McCann is “in great hands.”
A shift back to craft
Campopiano’s exit appears less about organisational change and more about a personal creative pivot.
He said he wants to move closer to the work itself.
“I want to focus my energy more intentionally on specific projects and being even closer to the ideas,” Campopiano said.
“And I want to enjoy it even more, which for me means doing more work and getting my hands dirtier.”
The move points to a shift away from large-scale leadership responsibilities and toward more direct involvement in creative output.
Campopiano has not yet disclosed his next move, saying an announcement will follow soon.
“I won’t say more now. Today is about saying goodbye,” he wrote, signing off with “a short but heartfelt ‘Ciao’.”
Top image: Javier Campopiano
WIN to drop Network 10 services in three regional markets
Network 10 has confirmed regional broadcaster WIN Network will stop broadcasting its services in three regional television markets from mid-2026, reducing the free-to-air reach of 10’s channels in parts of regional Australia.
The decision affects viewers in the Riverland and Mount Gambier regions of South Australia, as well as Griffith in New South Wales, where WIN currently operates as an affiliate broadcaster for all three metropolitan commercial television networks.
From 1 July 2026, WIN will cease free-to-air transmission of Channel 10, 10 Drama, 10 Comedy and Nickelodeon in the affected regions.
The move comes amid ongoing financial pressure on regional broadcasters, with declining advertising revenue continuing to impact the viability of commercial television services in smaller markets.
Historical deals
Broadcasting arrangements have historically enabled WIN to enter into affiliate agreements with all three commercial television networks in the affected regions because of their smaller populations.
WIN has now determined it is no longer financially sustainable to continue broadcasting 10’s services in those areas.
In a statement to Mediaweek, a Network 10 spokesperson said the broadcaster was disappointed by the decision and warned it would disproportionately affect viewers with limited access to streaming technology.
“We know this change is a real and unfair disruption for many regional viewers, especially those with limited internet access or less familiarity with streaming technology,” the spokesperson said.
“We are disappointed by WIN’s decision to stop broadcasting Network 10 in the Riverland, Mount Gambier and Griffith markets. As more advertising shifts to digital platforms, it is important for the Government to support regional broadcasters so that essential local services communities rely on can be maintained.
“While aerial transmission in these areas is outside our control, viewers who can access streaming can still find us on the 10 app on connected TVs and mobile devices, or at 10.com.au.”
Main image: AI-generated
ABC board shake-up lands with two new appointments
The Australian Broadcasting Corporation has announced two new appointments to its board, with Dr Lisa Caffery named Deputy Chair and former diplomat Damien Miller appointed as a director.
ABC Chair Kim Williams welcomed the appointments announced by Communications Minister Anika Wells, with Dr Caffery replacing former Deputy Chair Peter Tonagh and Miller filling the vacancy created following the expiry of Mario D’Orazio’s five-year term on the board.
Williams also thanked fellow board member Georgina Somerset for serving as acting Deputy Chair during the interim period following Tonagh’s resignation.
Dr Lisa Caffery
Regional leadership and governance experience
Dr Caffery, who is based in Emerald in regional Queensland, holds a PhD from Central Queensland University and has completed the University of Cambridge Sustainability Leadership program.
Her research interests include health equity, STEM education, social impact and rural resilience.
Williams described Dr Caffery as an experienced regional Australian business leader with expertise across regulated sectors, including water, infrastructure, health, government and the not-for-profit sector.
She currently serves on the boards of Mater Health Queensland and Dams Safety NSW and is the former chair of Queensland bulk water entity Sunwater Ltd.
“I have no doubt, Dr Caffery, and I will forge an effective relationship as we work with our fellow ABC Board colleagues to ensure proper guidance and performance delivery by the ABC over the coming years,” Williams said.
Damien Miller
Former ambassador joins ABC board
Williams also welcomed Miller, of the Gangulu people, noting his extensive international experience across a 25-year diplomatic career.
In 2013, Miller became the first Indigenous Australian appointed as an Australian Head of Mission when he was named ambassador to Denmark, Norway and Iceland.
He also served in Washington, D.C., Berlin and Kuala Lumpur before later joining several boards, including the ANZ School of Government.
Williams said he was particularly pleased the Minister had appointed a First Nations Australian with international experience to the board.
D’Orazio departs after five years
Williams paid tribute to outgoing director Mario D’Orazio, who served on the ABC board for five years and chaired the board’s People and Culture Committee.
He said the board had benefited from D’Orazio’s media leadership experience and praised his “warm collegiate approach”.
D’Orazio said, “It’s been a privilege to have served on the ABC Board for the past five years. The organisation is making important progress in many areas.
“I’m pleased to have played my part in creating the role of the Office of the Ombudsman and the establishment of the People and Culture Board committee, both of which are significant structural improvements in the ABC’s governance.
“While the future poses many challenges, I am confident the current leadership will ensure the ABC delivers on its charter. As I look forward to returning to the private sector, I wish the ABC every success.”
Main image: Dr Lisa Caffery and Mr Damien Miller
Elon Musk loses OpenAI court battle
A California jury has dismissed Elon Musk’s lawsuit against OpenAI and its chief executive, Sam Altman, after finding the billionaire waited too long to bring the case.
The unanimous verdict brings an end, for now, to one of the most closely watched legal battles in artificial intelligence. Musk had accused Altman and OpenAI of abandoning the organisation’s original non-profit mission after he donated US$38 million in its early years.
Jurors deliberated for about two hours on Monday after a three-week trial in Oakland, California.
OpenAI CEO Sam Altman. Image: X
Why did Musk sue OpenAI?
Musk claimed Altman breached a non-profit contract by shifting the ChatGPT maker toward a for-profit model. He argued he had donated to OpenAI on the basis that it would develop artificial intelligence for the benefit of humanity.
The jury found that the statute of limitations had expired for Musk’s claims of breach of charitable trust and unjust enrichment. As a result, jurors did not need to decide on the merits of those claims.
Musk had also accused Microsoft of aiding and abetting OpenAI in its transition. Those claims were dismissed as a matter of law following the jury’s findings against Musk.
A Microsoft spokesperson said: “The facts and the timeline in this case have long been clear.”
Musk vows to appeal
After the verdict, Musk criticised the decision on X, writing that it created “a free license to loot charities if you can keep the looting quiet for a few years!”
He also accused the judge overseeing the case of being a “terrible activist” and said he would file an appeal. Musk claimed the decision was based on a “calendar technicality” rather than the merits of the case.
Regarding the OpenAI case, the judge & jury never actually ruled on the merits of the case, just on a calendar technicality.
There is no question to anyone following the case in detail that Altman & Brockman did in fact enrich themselves by stealing a charity. The only question…
— Elon Musk (@elonmusk) May 18, 2026
Marc Toberoff, a lawyer for Musk, said outside court: “This war is not over, and I’d sum it up in one word: appeal.”
OpenAI says case was about competition
OpenAI argued the lawsuit was an attempt by Musk to slow down a competitor. Musk launched his own AI company, xAI, in 2023.
Sam Singer, a spokesperson for OpenAI, called the verdict a “tremendous victory” outside the Oakland courthouse.
“This was nothing but an effort by Mr Musk to slow down a competitor,” Singer said, adding that it was also a victory “for the justice system as well”.
William Savitt, who represented OpenAI during the trial, said Musk’s lawsuit “bears no relationship with reality”.
“We’re pleased that the jury reached the right result, and reached it quickly,” Savitt said.
Inside the Musk and Altman fallout
Musk and Altman were among the group that started OpenAI in 2015. Musk left the organisation in 2018 after his co-founders denied him control.
During the trial, Musk said the case was “actually very simple”.
“It’s not OK to steal a charity,” Musk said. “If it’s okay to loot a charity, the entire foundation of charitable giving will be destroyed.”
Altman told jurors that Musk had supported the idea of OpenAI becoming a for-profit business and had sought long-term control of the company.
“A particularly hair-raising moment was when my co-founders asked, ‘If you have control, what happens when you die?’” Altman said in court. “He said something like, ‘maybe it should pass to my children.’”
The dispute escalated as OpenAI became one of the world’s most influential AI companies following the launch of ChatGPT. Musk has since become one of OpenAI’s most prominent critics.
Carl Tobias, a law professor at the University of Richmond School of Law, told the BBC the jury had made a “very fact-based decision”.
“This case seemed kind of weird and crazy, but this is why we trust juries, because they bring the common sense of the community to resolve factual disputes,” Tobias said.
Main image: Elon Musk
Orphan lands Maurice Blackburn creative account
Maurice Blackburn Lawyers has appointed independent creative agency Orphan as its new creative partner. The appointment follows a competitive pitch process managed by Dan Johns at Tumbleturn Marketing Advisory.
Jacob Varghese, CEO of Maurice Blackburn, said the agency showed a strong understanding of the firm’s purpose.
“Maurice Blackburn has a long history of standing up for everyday Australians and helping people access justice when it matters most,” Varghese said.
“Orphan demonstrated a strong understanding of our brand and our purpose, and we’re looking forward to working together.”
Stephen McKeown, General Manager Marketing at Maurice Blackburn, said Orphan’s strategic creative approach stood out.
“Orphan impressed us with their strategic creative credentials.
“They quickly understood who we are as a firm and the responsibility we carry in advocating for people who have suffered injustice.”
Orphan on the partnership
Ant Hatton, Founder and Chief Creative Officer at Orphan, said the agency was proud to partner with Maurice Blackburn.
“From our very first chat, it felt right to us – there was a shared sense of ambition and belief.
“We can’t wait to get stuck in and work alongside Stephen and the team to create work that genuinely moves the needle for the brand.”
Top image: Orphan
eBay recruits The Veronicas as it scraps seller fees in Australia
That pile of “I might wear this again one day” clothes sitting on the chair in your bedroom? According to eBay, it could be part of a $32 billion national side hustle.
eBay Australia has removed selling fees for casual sellers, as new research reveals that Australians collectively sit on billions of dollars’ worth of unused items.
According to the research conducted by YouGov, 80% of Australians have items at home they could sell, with the average household holding around 15 sellable items. Respondents estimated they could make almost $1,500 by selling unused belongings online.
The study also found selling fees had acted as a deterrent for many Australians, with 34% saying fees stopped them from listing items online, while 55% said they would be more likely to sell if fees were removed.
The Veronicas list personal items on eBay
To coincide with the launch, Australian music duo The Veronicas are listing personal items from their collections on eBay.com.au.
Items include guitars, fashion pieces, tour memorabilia, and collectables, with auctions starting at $50.
Highlights from Lisa Origliasso’s collection include a ‘Witches Scrying Mirror’, a custom REISHI BABY jacket and hoop earrings purchased after the duo signed their first record deal.
Lisa Origliasso’s custom REISHI BABY jacket
Jess Origliasso’s listings include an Alexander McQueen skull scarf, a Fender guitar and a Big Muff pedal used during live performances.
Jess Origliasso’s Fender guitar
The duo said the move had encouraged them to revisit years’ worth of items collected on the road and to give fans access to pieces tied to the band’s history.
Jess described the removal of selling fees as “a game-changer”, adding: “We’re so excited for our fans to get their hands on a piece of our history, and to see more people across Australia start listing their pre-loved treasures online!”
While Lisa said many of the items carried personal significance and had been collected during tours and performances over the years, including her “old Scrying Mirror”.
“The fact that it’s now free to sell on eBay means anyone can easily list their pre-loved items and earn a little extra cash, which is incredible,” she said.
Fashion and collectables driving growth
eBay said consumer-to-consumer selling continues to grow across Australia, with Fashion and Collectables among the platform’s strongest-performing categories.
The company said brands including Carhartt, Louis Vuitton and Zimmermann ranked among the top search terms for Australian shoppers, while collectables including LEGO, Pokémon and Labubu continued to attract strong demand.
Anne-Marie Cheney, Head of Recommerce at eBay Australia, said the decision to remove selling fees was intended to make it easier for Australians to earn additional income from items they already own, particularly as cost-of-living pressures continue.
Cheney said eBay’s research found selling fees had been a key barrier preventing many Australians from listing items online, with the company positioning the move as a way to unlock more activity in the growing recommerce market.
Anne-Marie Cheney
“Today marks a significant milestone for eBay and for millions of Australians,” Cheney said.
“At a time when the cost of living continues to rise, free selling on eBay offers a powerful opportunity for people to make more out of what they already have at home, transforming pre-loved items into financial flexibility and new income potential.”
She added that the removal of fees was designed to simplify the selling process and encourage more Australians to participate in consumer-to-consumer selling.
“We’re thrilled to have The Veronicas onboard, celebrating the power of consumer-to-consumer selling, and inspiring Australians to experience just how easy and rewarding selling on eBay can be.”
As part of the changes, eBay said it is also rolling out AI-powered listing tools, integrated shipping options and enhanced seller features for Australian users.
Main image: The Veronicas
Tapt Media bolsters Sydney team with senior radio sales recruits
Tapt Media has expanded its Sydney commercial division with the appointment of four senior sales executives, as the audio company looks to strengthen its position across direct, independent and consortium markets.
The business announced the appointments of Joanne Lowe, Simon Daly, Tony Avellino and Justin Negrini on Monday, marking what it described as one of its largest investments in the Sydney commercial team to date.
The hires come as Tapt Media continues to scale its commercial operations under Chief Commercial Officer Brian Gallagher.
Senior hires across sales and business development
Lowe joins as Senior Account Director, bringing experience across several Australian media organisations. Most recently at ARN Media as an Account Director, Lowe has also held senior commercial roles at AD2ONE Australia, Skyscanner and Fairfax Media.
Simon Daly
Daly joins as Senior Business Manager after more than 20 years in Australian media, with previous roles spanning News Corp Australia, Fairfax Media, Australian Community Media and Motio.
Tony Avellino
Avellino also joins as Senior Business Manager, bringing experience across radio and news businesses including ARN, Sky News Australia and Macquarie Media.
Justin Negrini
Negrini has been appointed Business Development Manager, with previous experience across Adventure Marketing Group, Southern Cross Austereo, Macquarie Media and ARN.
Tapt Media signals growth ambitions
Amanda Unwin, Sydney Sales Director at Tapt Media, said the appointments reflected the company’s broader commercial ambitions.
“This is a team built for where Tapt Media is heading, not just where we are today. Simon, Tony, Justin and Joanne each bring extraordinary depth of experience, and together they signal to the market exactly the kind of business we are becoming”, said Unwin.
“Our investment in Sydney reflects a broader truth about Tapt Media right now: we are growing, we are committed to excellence in client service, and we are absolutely focused on winning across the direct, independent, and consortium markets with talent that sets the standard.”
The appointments further strengthen Tapt Media’s Sydney commercial operation as competition for audio advertising revenue continues across the Australian market.
Eurovision 2026 pulls millions of Australian viewers for Delta Goodrem performance
Millions of Australians tuned into the 2026 Eurovision Song Contest over the weekend, with Delta Goodrem representing Australia at the Vienna-hosted event.
SBS confirmed on Monday that the combined national TV reach across its live and prime time Eurovision broadcasts exceeded 3.27 million viewers, while SBS On Demand recorded an audience reach of 538,000. The total TV reach marked a 45.2% increase on last year’s audience figures.
Sunday’s grand final achieved a total TV national reach of 1.21 million.
Despite one of the year’s best performances, Goodrem took Australia to fourth place, only behind Romania, Israel and the winner, Bulgaria – Dara with “Bangaranga”.
“From showstopping vocals and spectacular staging to unforgettable performances that had audiences talking around the world, this year’s Eurovision Song Contest once again delivered all the joy, drama and excitement fans have come to love,” SBS’ Head of Unscripted, Joseph Maxwell, said.
“It’s fantastic to see Delta Goodrem’s mesmerising performance lift this year’s ratings and take the broadcast to spectacular new heights.”
Prior to the public vote, Australia finished in second place at 165 points, only behind Bulgaria on 204 points. Israel, Armenia, and Romania were the only three of the 35 countries to give their 12 voting points to Australia.
Main image: Delta Goodrem. Source: Sarah Louise Bennett
OMA launches OUT There series focused on OOH campaigns
The Outdoor Media Association has launched OUT There, a new video series featuring senior marketers and creative leaders discussing Out-of-Home campaigns and the strategies behind them.
Episode one, featuring Laura Halbert, Chief Marketing Officer at Allianz Australia, is now available on the OMA’s YouTube channel.
The six-part series was developed to showcase Out-of-Home advertising campaigns and includes conversations with marketing and creative executives about campaign development, execution, and impact.
Filmed by Howatson+Company, the series focuses on campaigns across streets, transit environments and public spaces.
Spotlight on OOH creative and strategy
OMA CEO Elizabeth McIntyre said the series was designed to highlight creative thinking within the Out-of-Home sector.
“OUT There is about unpacking the thinking behind exceptional out-of-home campaigns and hearing directly from senior marketing leaders and creatives about what makes these campaigns so impactful,” McIntyre said.
“It’s a new and engaging way to celebrate creativity in our industry while reinforcing the unique strengths of out of home as a medium built for reach and impact.
“We’re grateful for the support that helped bring this series to life, and I’d particularly like to thank BMW for enabling us to film these conversations in their vehicles.”
Future episodes will feature guests, including Lucinda Barlow from Uber and Brent Smart from Telstra.