In a media landscape shaped by the infinite scroll, where attention is a currency and every frame competes with cat videos and breaking news, TIME Magazine’s D.W. Pine is in the thick of it.
As the magazine’s Creative Director, he’s not just steering a legacy brand these days, now he’s helping redefine how we experience journalism one scroll-stopping image at a time.
But that transformation isn’t happening in isolation. TIME’s mastery of visual storytelling has been decades in the making, with Pine at the centre of its modern era.
Ahead of his Vivid Sydney event, Where Do Ideas Come From? (which takes place at Sydney’s Town Hall Thursday, 29 May) Pine sat down with Mediaweek’s Natasha Lee on the Newsmakers podcast to reveal the secrets behind the iconic red border of TIME.
D.W. Pine
Telling stories at the speed of swipe
While Pine’s work speaks to the magazine’s physical legacy, the team around him is shaping its digital present and future.
Across platforms, TIME’s multimedia division is tasked with taking complex global stories and distilling them into something instantly gripping and shareable.
“You’re always asking yourself, what’s the most powerful version of this story in a single frame?” Pine said.
That question drives how his team navigates storytelling at the speed of swipe. It’s about distilling complex narratives down to their most potent, shareable truths, without flattening them.
The challenge? Balancing the seductive clarity of a visual with the rigour of journalistic integrity.
In a world where a photo might be all a viewer sees before swiping on, Pine’s crew obsesses over every pixel, every caption, every beat, because each image isn’t just content, it’s an invitation into a deeper story.
More than a magazine
If you’ve ever paused in a newsagency, pulled a TIME cover from the rack and felt a jolt of recognition or emotion, you’ve experienced Pine’s work.
But what’s more remarkable is how that feeling now lives on beyond the printed page. It’s in Instagram posts, homepage banners, and YouTube thumbnails. It’s visual journalism built for the modern gaze.
And yet, through all this evolution, the mission hasn’t wavered: to make you look twice. To pull you into a conversation. To remind you that behind every image is a story worth telling.
Listen to the full chat with DW Pine and Natasha Lee here:
Where Do Ideas Come From? takes place at Sydney’s Town Hall Thursday, 29 May. Get your tickets here.